[dcab-l] Nothin’ Fancy 10/3 Hylton Center Manassas on sale tomorrow!

Today we remind you that Nothin' Fancy Bluegrass tickets at the Hylton Performing Arts Center in Manassas go on sale TOMORROW at 10am! Please make a note of it and see you there! Shows at 5pm and 8pm on Saturday October 3rd. https://hylton.calendar.gmu.edu/nothin-39-fancy Sent from my iPhone -- You received this message because you are subscribed to the Google Groups "DCAB-L" group. To unsubscribe from this group and stop receiving emails from it, send an email to dcab-l+unsubscribe@googlegroups.com. To view this discussion visit https://groups.google.com/d/msgid/dcab-l/0D93DB70-58DE-4F0D-9193-0E6E490981E7%40erols.com.

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Learn more about our updated Terms of Service

vijay146.internet@blogger.com  Every couple of years, we update our Terms of Service. We wanted to let you know ahead of time that the next update will be on July 30, 2026. These changes won’t affect the way you use our services, but they should help make it easier for you to understand what to expect from Google — and what we expect from you — as you use our services. You can review the new terms here. If you’re based in the European Economic Area (EEA) or Switzerland, we’ve also provided a summary of the key changes to the EEA version of our terms. At a glance, here’s what this update means for you: In general: We added a section to help you better understand why our services may access the internet when not actively engaged, to encourage you to check your Internet service plan and your device and network settings, as each of those may affect your costs. We updated and clarified our Settling disputes, governing law, and courts section. We make it clearer how various sections in our terms relate to each other. If you’re based in the EEA: In addition to the changes in the In general section, we updated various sections to reflect the latest EEA laws and regulations that apply to our services, including: Google’s obligation to make legally-required updates to our digital content, services, and goods. A new, online “withdrawal button” in the EEA instructions on withdrawal section. We also removed the Handling requests for your data section, because we’re centralizing our data disclosure language on our main data disclosure policy page. If you’re based outside the EEA:  In addition to the changes in the In general section, we added new disclosures and disclaimers, including ones about AI outputs. If you’re based in India, we also added new reporting language about our obligations if you violate applicable law. If you’re a parent or guardian, and you allow your child to use the services, please review the updates to our terms with your child and help them decide whether they need to make any changes to their account. Please remember that these terms apply to you and you’re responsible for your child’s activity on the services. If you don’t agree to the new terms, you should remove your content and stop using the services. You can also end your relationship with us at any time, without penalty, by closing your Google Account. Thank you for using Google services!  © 2026 Google LLC 1600 Amphitheatre Parkway, Mountain View, CA 94043  You have received this email to update you about important changes to Google’s Terms of Service.

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[dcab-l] Rattlesnake Hill Cover: What a Ways We've Come

 

Songwriters & Music Lovers:

 

Here is a Rattlesnake Hill version of an original song by Philadelphian songwriter Fred Moore:

What a Ways We’ve Come.  This version, featuring Ed’s solo vocal and guitar, was recorded

before the excellent version done later by The Gibson Brothers.

 

What a Ways We’ve Come is a wonderful story of a family through 5 generations!  The singer

recounts being with his Grandpa on the tracks of the C&O Railroad, crying from the roar of

locomotives and being comforted by his Grandpa.  Later in the story, this same singer is now

the Grandpa himself, revisiting the C&O with his own grandchild, but with no more locomotives

rushing by, and no tears from his grandchild.  Now, grass grows between the railroad ties and

the rails are rusted red, illustrating how life and times change.  Add up these generations,

yielding 5!

 

Special thanks to Fred Moore for creating this wonderful song.

 

 

 

 

To listen, click:  http://rattlesnakehill.org/Web_Music/edsmusic.html

Ed

 

                    What a Ways We've Come        Ab

                               Fred Moore

 

            When I was a young lad

            My old grandad would take me out on the C&O

            When a locomotive on a fast freight exploded by

            He'd hold me up 'n yell "Boy, there she goes!"

            Big wheels turnin', side rods churnin'

            Moanin' whistle always made me cry!

            Grandad'd hold me tight 'n when the train pulled out'a sight

            He'd wrap me in his arms 'n dry my eyes

 

            And Oh!  That reminds me of the time

            When the railroad used to run....(Yodel)

            Down along the mountainside......(Yodel)

            And Oh!  Those silver rails are rusted red

            And the railroad's almost dead...(Yodel)

            What a way we've come!    

 

Summer's we'd go fishin'

            Cross the tracks 'n cross the ditchin'

            To the Manatawney where the rainbow run

            Sittin' there a'waitin' countin' cars on all the freight

            Grandaddy knew where every car come from.

            He'd ridden every train from the Santa Fe to Maine

            Told a tale for every summer day

            Then the year that I turned ten I'd found that I'd lost my best friend

            My old grandaddy passed away....

 

            Chorus:

 

            Last year my daughter had a little baby

            They named him after his grandad

            Yesterday the two of us went down to see where I grew up

            The visit left me feelin' kinda sad.

            There's no traffic on the C&O, didn't hear a whistle blow

            Grass a'growin' through the old crossties.

            Little one was wide awake but never got to see a freight...

            Grandaddy wasn't there to dry my eyes!

 

            Chorus:

 

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[dcab-l] Nathan Stanley live at Drum & Strum this weekend, July 10th and 11th!

The Gloria Faye Dingus Music Alliance is proud to welcome Nathan Stanley to the Listening Room at Drum & Strum for two special evenings on July 10th and 11th. These two special performances will pay tribute to the life and music of Dr. Ralph Stanley, featuring many of the songs that helped shape traditional bluegrass and touched generations of fans around the world. Tickets are $30 and seating is limited, so advance purchase or reservations are highly recommended. Doors will open at 6:30pm and the concerts will begin at 7:00pm. Children 12 and under are admitted free with a parent or guardian. All proceeds benefit The Gloria Faye Dingus Music Alliance, a 501(c)(3) nonprofit dedicated to making the world a better place through music.

https://www.eventbrite.com/e/nathan-stanley-live-at-drum-strum-tickets-1992094048926?aff=oddtdtcreator

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New reasons prevent pages from being indexed on site http://how-feel-good.blogspot.com/

New reason preventing your pages from being indexed

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New reasons prevent pages from being indexed on site how-feel-good.blogspot.com

New reason preventing your pages from being indexed

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[dcab-l] Rattlesnake Hill Cover: Take This Hammer

Songwriters & Music Lovers:

 

Here is a Rattlesnake Hill practice version of the Folk/Bluegrass song Take This Hammer.

 

Take This Hammer is a traditional 1870s American prison work song made famous by

blues artists like Lead Belly.  It generally means carrying the heavy burden of oppression,

and a desire to escape from brutal forced labor.

 

Take This Hammer was issued on a commercial 78-rpm single by Lead Belly in 1940 and

again in 1942.  Lead Belly added a "haah" at the end of each line: "Every time the men say

'haah', the hammer falls. The hammer rings, and we swing, and we sing."  (In saying "we",

he was undoubtedly referring to his many years as an inmate of the notorious prison farm in

Angola, Louisiana. (Of note, the legend is that Lead Belly sang his way out of jail!)

 

This song is heavily tied to folklore about John Henry.  There is a group of songs referred) to

as "hammer songs" or "roll songs" (wheelbarrow-hauling songs) with much the same

structure..

 

Bluegrass recordings include Osborne Brothers, and Flatt & Scruggs recorded it in their

famous album: At Carnegie Hall.

 

Rattlesnake Hill Musicians (in order of pictures below):

 

Kevin Conroy         Lead Guitar

Carolyn Kellock     Bass

Heather Twigg       Fiddle & Harmony

Jack Sanbower     Banjo

Ed Schaeffer         Rhythm Guitar & Vocal

 

 

 

To listen, click:  http://rattlesnakehill.org/Web_Music/edsmusic.html

Ed

 

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New reasons prevent pages from being indexed on site http://how-feel-good.blogspot.com/

New reason preventing your pages from being indexed

Search Console has identified that some pages on your site are not being indexed due to the following new reason:

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New reasons prevent pages from being indexed on site how-feel-good.blogspot.com

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[dcab-l] All Mixed Up Live: You’ve Heard My Voice (and You Know My Name)

All Mixed Up Live:   You’ve Heard My Voice (and You Know My Name)

 

Songwriters & Music Lovers:

 

Here is an All Mixed Up live cover of  Greenwich Village folk singer Art Podell’s

gripping spiritual You’ve Heard My Voice from his definitive solo performance on his 2014

vinyl FolkWorks release From the Village to the Canyon, a Songwriter’s Journey.

 

However, the song was originally written in the 1960s with his songwriting partner Walter

Schorr, known together as: Art & Paul. (Interestingly, Art Podell was an original member

of The New Christy Minstrels!)

 

This song has also been covered by Glenn Yarbrough, Celeste, Bob Cook, and Judi

Resnick.

 

Barry Wendell’s live vocal and guitar performance is notably powerful!  I added the driving

bass after the original live recording.

 

All Mixed Up musicians:

 

Barry Wendell       Lead Vocal & Rhythm Guitar

Ed Schaeffer         Lead Guitar, Harmony & Bass

 

 

To listen, click:  http://rattlesnakehill.org/Web_Music/edsmusic.html

 

Ed

 

                                    Words Below………

 

   You’ve Heard My Voice

Art & Paul

 

You Heard My Voice

You Heard My Voice

And you know My Name

 

If you've ever kissed in the summer rain
Slept where the winds and the snows have lain
If you've ever heard a lonely train
Then you've heard My voice
And you know My name

If you've bowed your head and you're filled with pride
And learned of death when a bird has died
And you’ve tasted tears when a child has cried
Then you've heard My voice
And you know My name

You've heard My voice in the winds of spring
Seen my face where the roses cling
I am the touch that the warm rains bring
I make my home in the heart of everything

In the driving rain of a summer squall
When the summer is gone, the petals fall
When the day is done and the Night Birds call
Then you've hear My voice and You know my Name

 

You've heard My voice in the winds of spring
Seen my face where the roses cling
I am the touch that the warm rains bring
I make my home in the heart of everything

In the driving rain of a summer squall
When the summer is gone, the petals fall
When the day is done and the Night Birds call….

Then you've hear My voice and You know my Name

Then you've hear My voice and You know my Name

You know My name

 

 

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