[dcab-l] Rattlesnake Hill Cover: "Forked Deer"

Songwriters & Music Lovers:

 

This fiddle tune almost defies recounting due to its complex background.  First, the

variety of titles: Forked Buck, Forky Deer, Forked-Horn Deer, Forked Deer Hornpipe,

Forked Deer River, Hounds in the Horn, Long-Horned Deer, Deer Walk, Bragg's Retreat,

Old Pork Bosom, and Van Buren.

 

Also, the title may be a corruption of Fauquier Deer, the name of a county in N. Virginia

or may be association with the Forked Deer River in Tennessee (i.e. 'the forks of the

Deer'). Or possibly Forked Air, meaning a “crooked melody”. Or maybe  Forkadair from

Minstrel times.  Or even Frisky Deer to evade the meaning of “horney”.   Last thought

among many: the forked deer, or two-point buck, which was considered prime venison.

 

Second: The arrangements.  In D Major, there are a variety of arrangements: 

AB (Silberberg), AABB (most versions), AA'BB (Phillips), AA'BB'CC (Salyer).

 

This Rattlesnake Hill version is introduced by John Relph, an excellent mandolin picker

from the DC area.  I remember his telling me that he once won the State of California 1^st

Prize award for his Mandolin picking.  We never practiced this tune, but thought to

record it off hand, and you can hear John’s excellent performance.

 

 

Rattlesnake Hill musicians:

 

Carolyn Kellock      Bass

John Relph             Mandolin

Terry Wittenberg    Banjo

Ed Schaeffer          Guitar

 

To listen, click:  http://rattlesnakehill.org/Web_Music/edsmusic.html

 

Ed

 

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[dcab-l] Rattlesnake Hill Cover: In the Pines

 

Songwriters & Music Lovers:

 

"In the Pines", also known as "Where Did You Sleep Last Night?", "My Girl", "Hey Girl", or

"Black Girl", is a traditional American folk song originating from two songs, "In the Pines"

and "The Longest Train", both of whose authorship is unknown and date back to at least

the 1870s.  The songs originated in the Southern Appalachian area of the US.

 

Versions of the song have been recorded by many artists in numerous genres, but it is

most often associated with American bluegrass musician Bill Monroe and American blues

musician Lead Belly, both of whom recorded a version of the song in the 1940s, before

it achieved wide fame with the grunge band Nirvana  (not recommended!).

 

Recorded by almost every singer since the beginning of time, with a full slate of unending

lyrical variations, Bill Monroe's 1941 & 1952 recordings, both under the title "In the Pines",

were highly influential on later bluegrass and country versions.  The Louvin Brothers

recorded it for their debut album, Tragic Songs of Life, from 1956.

 

Rattlesnake Hill’s version was done live at Cactus Flats.  Barb Diederich joined her “hoot” with

Ed’s (and half the audience) “hoot” during the refrain.

 

Rattlesnake Hill Musicians:

 

Keith Arneson         Banjo

Ed Schaeffer          Vocal & Rhythm Guitar

Barb Diederich       Harmony

Lou Janesco           Fiddle

Tom Grey               Bass

 

 

 

To listen, click:  http://rattlesnakehill.org/Web_Music/edsmusic.html

 

Ed

 

In the Pines  E

 

The longest train I ever saw
Went around Joe Brown's Coal Mine
The engine passed at twelve o’clock
The caboose at half past nine.

 

Chorus:

In the pines, in the pines
Where the sun never shines
And we shiver when the cold wind blows;
[D] Whooee-whoo-[D7] hoo; [G] whoo-hoo-[D] hoo
Whoee-whoo-[A7] whoo hoo-[D] hoo!

 

I asked my captain for the time of day
He said he throwed his watch away
A long steel rail and a short cross tie
I’m on my way back home.

                       

Chorus:

 

Little girl, little girl, what have I done
That makes you treat me so?
You caused me to weep, you caused me to mourn
You caused me to leave my home.

 

Chorus:

 

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[dcab-l] Nothin’ Fancy 10/3 Hylton Center Manassas on sale tomorrow!

Today we remind you that Nothin' Fancy Bluegrass tickets at the Hylton Performing Arts Center in Manassas go on sale TOMORROW at 10am! Please make a note of it and see you there! Shows at 5pm and 8pm on Saturday October 3rd. https://hylton.calendar.gmu.edu/nothin-39-fancy Sent from my iPhone -- You received this message because you are subscribed to the Google Groups "DCAB-L" group. To unsubscribe from this group and stop receiving emails from it, send an email to dcab-l+unsubscribe@googlegroups.com. To view this discussion visit https://groups.google.com/d/msgid/dcab-l/0D93DB70-58DE-4F0D-9193-0E6E490981E7%40erols.com.

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Learn more about our updated Terms of Service

vijay146.internet@blogger.com  Every couple of years, we update our Terms of Service. We wanted to let you know ahead of time that the next update will be on July 30, 2026. These changes won’t affect the way you use our services, but they should help make it easier for you to understand what to expect from Google — and what we expect from you — as you use our services. You can review the new terms here. If you’re based in the European Economic Area (EEA) or Switzerland, we’ve also provided a summary of the key changes to the EEA version of our terms. At a glance, here’s what this update means for you: In general: We added a section to help you better understand why our services may access the internet when not actively engaged, to encourage you to check your Internet service plan and your device and network settings, as each of those may affect your costs. We updated and clarified our Settling disputes, governing law, and courts section. We make it clearer how various sections in our terms relate to each other. If you’re based in the EEA: In addition to the changes in the In general section, we updated various sections to reflect the latest EEA laws and regulations that apply to our services, including: Google’s obligation to make legally-required updates to our digital content, services, and goods. A new, online “withdrawal button” in the EEA instructions on withdrawal section. We also removed the Handling requests for your data section, because we’re centralizing our data disclosure language on our main data disclosure policy page. If you’re based outside the EEA:  In addition to the changes in the In general section, we added new disclosures and disclaimers, including ones about AI outputs. If you’re based in India, we also added new reporting language about our obligations if you violate applicable law. If you’re a parent or guardian, and you allow your child to use the services, please review the updates to our terms with your child and help them decide whether they need to make any changes to their account. Please remember that these terms apply to you and you’re responsible for your child’s activity on the services. If you don’t agree to the new terms, you should remove your content and stop using the services. You can also end your relationship with us at any time, without penalty, by closing your Google Account. Thank you for using Google services!  © 2026 Google LLC 1600 Amphitheatre Parkway, Mountain View, CA 94043  You have received this email to update you about important changes to Google’s Terms of Service.

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[dcab-l] Rattlesnake Hill Cover: What a Ways We've Come

 

Songwriters & Music Lovers:

 

Here is a Rattlesnake Hill version of an original song by Philadelphian songwriter Fred Moore:

What a Ways We’ve Come.  This version, featuring Ed’s solo vocal and guitar, was recorded

before the excellent version done later by The Gibson Brothers.

 

What a Ways We’ve Come is a wonderful story of a family through 5 generations!  The singer

recounts being with his Grandpa on the tracks of the C&O Railroad, crying from the roar of

locomotives and being comforted by his Grandpa.  Later in the story, this same singer is now

the Grandpa himself, revisiting the C&O with his own grandchild, but with no more locomotives

rushing by, and no tears from his grandchild.  Now, grass grows between the railroad ties and

the rails are rusted red, illustrating how life and times change.  Add up these generations,

yielding 5!

 

Special thanks to Fred Moore for creating this wonderful song.

 

 

 

 

To listen, click:  http://rattlesnakehill.org/Web_Music/edsmusic.html

Ed

 

                    What a Ways We've Come        Ab

                               Fred Moore

 

            When I was a young lad

            My old grandad would take me out on the C&O

            When a locomotive on a fast freight exploded by

            He'd hold me up 'n yell "Boy, there she goes!"

            Big wheels turnin', side rods churnin'

            Moanin' whistle always made me cry!

            Grandad'd hold me tight 'n when the train pulled out'a sight

            He'd wrap me in his arms 'n dry my eyes

 

            And Oh!  That reminds me of the time

            When the railroad used to run....(Yodel)

            Down along the mountainside......(Yodel)

            And Oh!  Those silver rails are rusted red

            And the railroad's almost dead...(Yodel)

            What a way we've come!    

 

Summer's we'd go fishin'

            Cross the tracks 'n cross the ditchin'

            To the Manatawney where the rainbow run

            Sittin' there a'waitin' countin' cars on all the freight

            Grandaddy knew where every car come from.

            He'd ridden every train from the Santa Fe to Maine

            Told a tale for every summer day

            Then the year that I turned ten I'd found that I'd lost my best friend

            My old grandaddy passed away....

 

            Chorus:

 

            Last year my daughter had a little baby

            They named him after his grandad

            Yesterday the two of us went down to see where I grew up

            The visit left me feelin' kinda sad.

            There's no traffic on the C&O, didn't hear a whistle blow

            Grass a'growin' through the old crossties.

            Little one was wide awake but never got to see a freight...

            Grandaddy wasn't there to dry my eyes!

 

            Chorus:

 

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[dcab-l] Nathan Stanley live at Drum & Strum this weekend, July 10th and 11th!

The Gloria Faye Dingus Music Alliance is proud to welcome Nathan Stanley to the Listening Room at Drum & Strum for two special evenings on July 10th and 11th. These two special performances will pay tribute to the life and music of Dr. Ralph Stanley, featuring many of the songs that helped shape traditional bluegrass and touched generations of fans around the world. Tickets are $30 and seating is limited, so advance purchase or reservations are highly recommended. Doors will open at 6:30pm and the concerts will begin at 7:00pm. Children 12 and under are admitted free with a parent or guardian. All proceeds benefit The Gloria Faye Dingus Music Alliance, a 501(c)(3) nonprofit dedicated to making the world a better place through music.

https://www.eventbrite.com/e/nathan-stanley-live-at-drum-strum-tickets-1992094048926?aff=oddtdtcreator

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New reasons prevent pages from being indexed on site http://how-feel-good.blogspot.com/

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